My practice explores the encounter between the human body and the material world. Through drawing, printmaking, sculpture, and site-based processes, I examine how we relate to our surroundings through texture, presence, and physical contact. Inspired by Chinese estampage and archaeological methods, I use analogue, embodied processes to reveal what resists digital mediation. Each imprint is both record and transformation: a trace of what once was, and an image in its own right. I often work with surfaces marked by time, which absorb meaning without declaring it. Across media, I am drawn to precarious, fragmentary structures that hold space for contradiction and imagination. Whether in works on paper, sculpture, or collage, I see my practice as an ongoing archive of interactions, quiet acts of attention that invite reflection on impermanence, perception, and our place within a shifting material world.