My practice explores the crisis of desires as a breaking point of identity—a state that emerges in moments of transformation, loss, and self-redefinition. This phenomenon becomes especially palpable in an era of accelerated social change, digital hyperreality, and the collapse of traditional structures of self-determination.
I perceive desire not as a linear concept but as a complex, fluid system capable of disappearance, substitution, and rebirth. In my works, this manifests through the dialectic of emptiness and fullness, erosion and restoration, the process of vanishing and fixation.
The crisis of desires is not merely an individual experience but a collective symptom of modernity, where the loss of personal subjectivity collides with the necessity of its reconstruction. I am interested in how material and immaterial structures—body, space, time, memory—interact in this process, and how artistic form can capture the state of constant becoming.