Raised among old cameras, family photographs, and nineteenth-century photographic encyclopedias, Lars Plessentin initially had little interest in art or photography. During his product design studies, chance led him into photography seminars and toward artistic practice. Rooted in analog experimentation, his work now shifts toward objects, structures, and materials. Layering bodies, textures, and found elements, he creates hybrid wall installations suspended between sculpture and image—part design model, part archaeology of the discarded, and commentary on contemporary visual culture and media today.