In my work, I explore the relationship between humans, animals, plants – and increasingly, objects. I’m interested in what lies between: transitions, the unspoken. Hands often appear, holding animals like bouquets or trophies – an ambivalent image oscillating between tenderness and control.
In more recent works, the human body is absent but remains palpable in vessels such as bowls or soup tureens or vases. At times, compositions erupt in wild splashes of color.
Animals function as mirrors of inner states, silent witnesses to a vanishing world. Their gaze confronts, comforts, or remains still.
Surreal elements challenge the viewer to engage with their own internal imagery – the unconscious, the undefined. Symbolism becomes an open invitation to personal interpretation.