Not being able to classify and not being able to be classified are my core motivation. What lies at the boundary between artificial and natural? What happens at the place where nature, the digital world, and the human mind meet? Those are questions I investigate with my work. I’m in search of the “Other.” For that I approximate natural processes by artistic means. Workflows that are controlled and randomized at the same time are used. Intuition and directed focus are not irreconcilable for me. I see myself as a grower and the artwork as an evolving organism.
During my studies at the Caspar-David-Friedrich-Institute (University of Greifswald), I discovered my practice of digitally creating artificial organic shapes, my so-called organoids. After my graduation in 2021, I have been steadily nurturing the obsession with evolving my artificial nature to evoke feelings of ambiguity, dissociation, and alienation.