My work grows in symbiosis with the spaces I live in. Domestic corners, porcelain patterns, a ficus leaf — such fragments anchor my practice. Through drawing, painting, and sculpture, I translate these memories into matter.
In sculpture, keramiplast forms are shaped from recollection and covered with colored pencil — a drawn skin that carries light and touch. The reliefs fix vanished interiors as tactile shards.
In drawing and painting, I trace present spaces as vascular systems where attention moves like blood.
Across media, I show how domestic space imprints on the body — and how we, in turn, inhabit those imprints