I see collage as a mirror of our existence: we are not fixed beings, but constellations of fragments, memories, and influences. Collage allows me to weave these layers together, distorting time and space to create dreamlike constellations where intuition, chance, and structure meet.
This approach shapes two ongoing series. In my travel collages, I merge two photographs from the same place into a single, condensed memory. They capture fleeting moments, curious details, and the beauty of the unknown — an attempt to hold on to atmosphere and inner movement rather than documentary reality.
In my Berlin subway series, I detach tunnel walls, platforms, and passageways from their context and reassemble them into multi-layered images of an imaginary city. Train stations become threshold zones and the subway a metaphor for the hidden, subconscious flow beneath the city’s surface — a space between reality and memory.